Dulake Flat
三明治结构琴身 整条枫木琴颈 拥有压倒性中低频的全能型号
三明治结构琴身,使fingerstyle,slap和拨片演奏都游刃有余。采用岑木或桤木琴体背侧,鸡翅木琴体中心,由您选择的贴面。
声音反馈迅速,持久的延音和肥厚的中低频。
Specifications
Dulake Flat-4st. Base Price (before tax): ¥495,000
OrderBody (Top) |
Standard Grade Figured Maple 2pc / Wenge |
---|---|
Neck / Shape |
Maple / Fat U-Shape |
Scale |
34inc. |
Joint |
Arimizo & One Point Joint |
Nut / Nut Width |
Real Carbon / 39mm |
Fret |
F.C.G.R. SP-SF-09 WARM |
Fingerboard Radius |
400R |
Top Position Mark (Rosewood) |
Oval (Abalone with border) |
Top Position Mark (Maple) |
Oval (White Mother Of Pearl with border) |
Side Position Mark (Rosewood) |
Luminlay 3mm ・ Green |
Side Position Mark (Maple) |
Luminlay 3mm ・ Green w/Black Pipe |
Machinehead |
GOTOH GB350-2L2R |
Pickups (F.C.G.R. Original) |
Dulake HB 19mm Pitch Set |
Control 1 |
2Vol, 1Tone (Push:Active / Pull:Passive) |
Control 2 |
Treble, Bass |
Bridge |
GOTOH 404BO-4 (19mm Pitch) |
Neck Finish / Color |
Poly ・ Full Flat / Natural |
Body Finish |
Poly ・ Gloss |
Dulake Flat-5st. Base Price (before tax): ¥517,000
OrderBody (Top) |
Standard Grade Figured Maple 2pc / Wenge |
---|---|
Neck / Shape |
Maple / U-Shape |
Scale |
34inc. |
Joint |
Arimizo & One Point Joint |
Nut / Nut Width |
Real Carbon / 46mm |
Fret |
F.C.G.R. SP-SF-09 WARM |
Fingerboard Radius |
400R |
Top Position Mark (Rosewood) |
Oval (Abalone with border) |
Top Position Mark (Maple) |
Oval (White Mother Of Pearl with border) |
Side Position Mark (Rosewood) |
Luminlay 3mm ・ Green |
Side Position Mark (Maple) |
Luminlay 3mm ・ Green w/Black Pipe |
Machinehead |
GOTOH GB350-2L3R |
Pickups (F.C.G.R. Original) |
Dulake HB 18mm Pitch Set |
Control 1 |
2Vol, 1Tone (Push:Active / Pull:Passive) |
Control 2 |
Treble, Bass |
Bridge |
GOTOH 404BO-5 (18mm Pitch) |
Neck Finish / Color |
Poly ・ Full Flat / Natural |
Body Finish |
Poly ・ Gloss |
Downloads
Quality

恪守承诺 精选木材 保证稳定性
FCGR 为了制造100年后音色依然顶级的吉他,对木材的挑选非常仔细。所选木材存放在我们的特殊湿度控制仓库中长达一年的时间,模拟并防止木材变形的可能性
独创不锈钢品丝
FCGR 特研不锈钢品丝,拥有温暖的音色,消除了通常不锈钢品丝的过亮音色。并终身防锈免维护。
坚固的性能
通常吉他和贝司在首次上品和装配后,张力会过紧。在FCGR,琴颈上漆之后,就会组装乐器,将琴弦上紧几周——这样可以让琴颈形成最终稳定的形态。然后,我们使用一种特殊设计的装置,在琴颈处于最终的演奏状态下,以上弦后的曲度调整安装品丝。这一过程,体现了我们的品丝工艺的最高标准,这是量产乐器无法实现的。
夜光侧部品标
我们使用Luminlay SG-30 (3mm)侧品标,吸收阳光并在黑暗的舞台上发光。一个小的细节,但在黑暗的舞台上至关重要。演奏更有信心,减少在指板上迷失方向时的焦虑。