Rhino
Modern single-coil bass - both versatile and familiar
Versatile all-round bass, suitable for any genre. The body shape is an original, adapted from traditionally styled models, and the neck features our innovative one-point "Arimizo" joint. The bass allows for adjustment between clear and fat modern tones, or warmer vintage sounds through combination of the adjustable neck-joint and the flexible electronics. The strong passive tone of the custom-wound pickups can be further adjusted using our custom pre-amp, tailor made for this bass.
・May 2024
"Stainless Fret", which has been patronized by many users for many years as F.C.G.R.'s original fret, has changed its product name and packaging to "Eternal Fret".
We look forward to your continued patronage.
・February 2020
The logo design of all original guitar and bass products has been changed.
Specifications
Rhino-4st
Neck / Shape |
Maple / U-Shape
|
Scale |
34in
|
Joint |
Arimizo & One Point Joint
|
Nut / Nut Width |
Silicone Oiled Bone / 38mm
|
Fret |
Eternal Fret / EI-W-016WARM / 21F
|
Fingerboard Radius |
280R
|
Machinehead |
GOTOH GB9
|
Top Position Mark |
・Rosewood FB:Abalone Oval ・Maple FB:Black Shell Oval
|
Side Position Mark |
・Rosewood FB:Luminlay - 3mm (Green) ・Maple FB:Luminlay w/Black Pipe - 3mm (Green)
|
Pickups |
Bell Bottom 19mm Pitch Set
|
Control 1 |
2Vol, 1Tone, Treble, Bass
|
Control 2 |
1Mini SW (Active/Passive)
|
Bridge |
GOTOH S510B-4 (19mm Pitch)
|
Neck Finish / Color |
N.C. Lacquer・Full Flat - Thin Skin Finish / Natural
|
Body Finish |
Poly ・ Gloss
|
Strings |
D'Addario 45-105
|
Rhino-5st.
Neck / Shape |
Maple / U-Shape
|
Scale |
34in
|
Joint |
Arimizo & One Point Joint
|
Nut / Nut Width |
Silicone Oiled Bone / 46mm
|
Fret |
Eternal Fret / EI-W-016WARM / 21F
|
Fingerboard Radius |
305R
|
Machinehead |
GOTOH GB528-4L1R
|
Top Position Mark |
・Rosewood FB:Abalone Oval ・Maple FB:Black Shell Oval
|
Side Position Mark |
・Rosewood FB:Luminlay - 3mm (Green) ・Maple FB:Luminlay w/Black Pipe - 3mm (Green)
|
Pickups |
Original 5st JB - 19mm Pitch Set
|
Control 1 |
2Vol, 1Tone, Treble, Bass
|
Control 2 |
1Mini SW (Active/Passive)
|
Bridge |
GOTOH S510B-5 (19mm Pitch)
|
Neck Finish / Color |
N.C. Lacquer・Full Flat - Thin Skin Finish / Natural
|
Body Finish |
Poly ・ Gloss
|
Strings |
D'Addario 45-125T
|
* Product specifications and prices are subject to change without notice.
Downloads
Quality
Commitment to carefully selected wood and durability
To build a guitar that sounds great even after 100 years, at F.C.G.R. we select our woods very carefully. The selected wood is stabilized in our special humidity-controlled warehouse for up to one year to eliminate the possibility of warpage later.
Original frets
Our stainless-steel fret wire has been specially developed by F.C.G.R. to be completely rust-proof and reduce the necessity for maintenance for the lifetime of the instrument. Additionally, our stainless steel produces a warmer sound, eliminating the excessive brightness often associated with typical stainless steel frets.
Stability and solid performance
Often guitars and basses are strung up for the first time after the fretwork and set-up have been completed. At F.C.G.R. after the necks are painted, we assemble the full instrument and tension up their strings for a few weeks - this allows the neck to settle into its final stable shape. Using a specially designed rig, we then adjust the frets with the neck in its final playing position, with the same curvature as when strings are present. Through this process we can achieve the highest standard for our fretwork, which cannot be achieved in mass-produced instruments.
Glow in the dark side-position markers
We use Luminlay SG-30 (3mm) side-position markers which gather light and glow in the dark. It is a small touch, but invaluable on a dark stage - where it will allow you to play with greater confidence and less worry about losing your way around the fingerboard.
Color
There is a story behind each of our original colours - and we continue to develop new ones all the time!
Since the thickness, and type, of paint and lacquer used influences the resonance of the instrument, we can use our years of experience to produce a finish that brings out the character of your individual instrument.
We welcome you to inspect our colour chart, and visit our showroom if possible to see our finishes in person. And if there are colours that you would like on your instrument and cannot see on our page - please let us know, we'll do our best meet your request.
ARIMIZO & One Point Joint: a new dimension for tone control
We have developed, and patented, a new way of controlling the tone of your instrument by varying the degree of mechanical dampening of vibrations. By adjusting a single bolt, you can vary between a snappier response, or a more dampened vintage tone. With the bolt tightened, some overtones are suppressed, the attack becomes stronger and response is immediate. With the bolt loosened, you get a warmer sound, rich in overtones. It truly feels as if you had just switched instruments. To maintain the stability of the joint consistently with the natural expansion and shrinkage that occurs in wood, utmost precision and high technological sophistication is necessary. Our design is covered by the patent number 5879135.