Blowzer

Blowzer

Blowzer

Buddy for Life ~Times change. However, my sound is unwavering.~

Equipped with an original PB pickup and selectable "PJ" specifications, "Blowzer" has both a wild, fat and warm sound that is typical of PB, and high playability that can be used by bassists of various play styles.

(Description)
・ New design original body shape
A slim and compact original body shape that is easy to handle for live performances and studio work.

・ Heelless cut joint
With 21 frets, access to high positions is smooth.

・ Blowzer 4st. Nut width is 40mm.
The nut width, which is narrower than the vintage style PB, makes it easier to convert from other bases such as JB.

・ Two types of original PB pickups can be selected for the Blowzer 4st.
"PB Vintage" "PB Modern"

* Blowzer 5st. Is equipped with an original pickup developed exclusively for the 5-string model.

・ Equipped with a solid brass 19mm Pitch original base bridge

(Variation)
・ Lineup of 4-string model and 5-string model
・ "PJ" can be selected for both 4st and 5st pickup layouts.
・ You can select your favorite color from various charts. Color Chart
・ "Poly" and "lacquer" can be selected for the finish according to your preference.

*Product specifications and prices are subject to change without notice.

Specifications

Blowzer-4st Base Price (before tax): ¥399,000

Order
Neck / Shape

Maple / U-Shape

Scale

34in

Joint

Bolt on 4-Point Joint / Bush / Heelless Cut

Nut / Nut Width

Silicone Oiled Bone / 40mm

Fret

F.C.G.R. SP-SF-06 WARM / 21F

Fingerboard Radius

280R

Machinehead

GOTOH GB9

Top Position Mark

・Rosewood FB:White Pearloid Dots ・Maple FB:Black Dots

Side Position Mark

・Rosewood FB:Luminlay - 3mm (Green) ・Maple FB:Luminlay w/Black Pipe - 3mm (Green)

Pickups

PB Vintage or PB Modern

Control

1Vol. / 1Tone

Bridge

F.C.G.R. Brace Tone Bass Bridge (19mm Pitch)

Neck Finish / Color

Poly ・ Full Flat - Thin Skin Finish / Natural

Body Finish

Poly ・ Gloss

Strings

D'Addario 45-105

Blowzer-5st Base Price (before tax): ¥425,000

Order
Neck / Shape

Maple / U-Shape

Scale

34in

Joint

Bolt on 4-Point Joint / Bush / Heelless Cut

Nut / Nut Width

Silicone Oiled Bone / 46mm

Fret

F.C.G.R. SP-SF-06 WARM / 21F

Fingerboard Radius

305R

Machinehead

GOTOH GB528-4L1R

Top Position Mark

・Rosewood FB:White Pearloid Dots ・Maple FB:Black Dots

Side Position Mark (Rosewood)

Luminlay 3mm ・ Green

Side Position Mark (Maple)

Luminlay 3mm ・ Green w/Black Pipe

Pickups

Original 5st. PB

Control

1Vol. / 1Tone

Bridge

F.C.G.R. Brace Tone Bass Bridge (19mm Pitch)

Neck Finish / Color

Poly ・ Full Flat - Thin Skin Finish / Natural

Body Finish

Poly ・ Gloss

Strings

D'Addario 45-125T

Quality

Commitment to carefully selected wood and durability

To build a guitar that sounds great even after 100 years, at F.C.G.R. we select our woods very carefully. The selected wood is stabilized in our special humidity-controlled warehouse for up to one year to eliminate the possibility of warpage later.

Original stainless steel frets

Our stainless-steel fret wire has been specially developed by F.C.G.R. to be completely rust-proof and reduce the necessity for maintenance for the lifetime of the instrument. Additionally, our stainless steel produces a warmer sound, eliminating the excessive brightness often associated with typical stainless steel frets.

Stability and solid performance

Often guitars and basses are strung up for the first time after the fretwork and set-up have been completed. At F.C.G.R. after the necks are painted, we assemble the full instrument and tension up their strings for a few weeks - this allows the neck to settle into its final stable shape. Using a specially designed rig, we then adjust the frets with the neck in its final playing position, with the same curvature as when strings are present. Through this process we can achieve the highest standard for our fretwork, which cannot be achieved in mass-produced instruments.

Glow in the dark side-position markers

We use Luminlay SG-30 (3mm) side-position markers which gather light and glow in the dark. It is a small touch, but invaluable on a dark stage - where it will allow you to play with greater confidence and less worry about losing your way around the fingerboard.

Color

There is a story behind each of our original colours - and we continue to develop new ones all the time! Since the thickness, and type, of paint and lacquer used influences the resonance of the instrument, we can use our years of experience to produce a finish that brings out the character of your individual instrument. We welcome you to inspect our colour chart, and visit our showroom if possible to see our finishes in person. And if there are colours that you would like on your instrument and cannot see on our page - please let us know, we'll do our best meet your request.

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